The centre of Tirana is densely packed, with people, cars, bicycles, scooters, and a wide array of architectural forms. At rush hour, the area is so overflowing with movement that it’s hard to gauge the breadth of the boulevards. Architectural styles from various historical periods rub shoulders, but it is the many skyscrapers that stand out – all recent, all imposing, all more or less fascinating.
These are the projects of the alleged “archistars”: names specified as Stefano Boeri (best known in Italy for the Vertical Forest in Milan), Marco Casamonti, the Dutch studio MVRDV, and the Belgian studio 51N4E. These are big, prestigious names, building innovative and environmentally conscious projects, or so they say.
These names are being utilized by Prime Minister Edi Rama to add an air of legitimacy to the latest wave of developments, says Erblin Vukaj, a writer for the independent paper Citizens, as we stand at an intersection that is emblematic of this perspective. We are in the central territory of Blloku, where our walk begins in the company of Vukaj and his colleague, journalist Elira Kadriu, between Rruga Brigada e VIII and Rruga Vaso Pasha.
The same area includes tiny villas that likely belonged to organization leaders during the socialist government (1944–1991), buildings constructed after the government had fallen, and more imposing structures specified as Stefano Boeri’s Blloku Cube, the Credins Bank office designed by the Albanian studio Atelier 4, and 2 another skyscrapers under construction, designed by the studio of Marco Casamonti. A large banner attacking the government’s construction policies hangs from 1 of the older buildings. A small further on, Vukaj points out a building that is set to be demolished to make way for another tower. There is no sign of parks or cycle paths in the surrounding area.
Tirana’s skyline from the Pyramid building. Photo: Francesca Barca
Behind this imposing architectural facade, however, there’s a void. According to data from the Albanian Institute of statistic (INSTAT, cited here), in 2023 1 in 3 apartments in Albania was unoccupied. In 2024, journalist Ola Xama reported that there were over 85,000 empty homes in the state of Tirana, 52,000 of which were in the capital. At the current rate of population growth, “it would take 45 years” to fill these flats, explains Xama.
This figure is far higher than in the erstwhile census (2011), erstwhile 1 in 5 (21.6 percent) apartments was unoccupied. Underlying these figures is simply a country that is emptying out: between 2011 and 2023, Albania lost almost 500,000 people.
Nevertheless, construction continues unabated. In 2015, permits were granted for the construction of fresh residential buildings covering an area of 50 square kilometres; in 2022 this number increased, more than 40 times over, to 2.071 square kilometres, and this trend has only continued in the years that followed.
Increased supply accompanied by a drop in request would be expected to origin a drop in prices. Instead, home prices have continued to rise, while the same cannot be said of wages.
A construction region just outside Tirana’s centre. Photo: Francesca Barca
In Tirana, according to data from the Bank of Albania, home prices rose by 5.1 percent in the first six months of 2025, and by 32.6 percent on an yearly basis.
In 2011, an flat in the most central districts of the city could cost between 700 and 2,500 euro per square metre; today, the scope has shifted to 2,500–4,500 euro per square metre.
The average monthly gross income in Albania is around 82,000 lek (850 euro). In January 2026 the minimum monthly wage rose from 40,000 to 50,000 lek (518 euro), making it the country with the lowest minimum wage in Europe after Moldova and Ukraine.
In Tirana, it is now very difficult, if not impossible, to find a two-room flat to rent for little than 600 euro.
The construction frenzy was triggered by a policy initiated during the 2000–2011 mayoral word of Edi Rama – who became prime minister in 2013 – of the Socialist Party, and then continued by his successor and organization colleague Erion Veliaj (now in prison on charges of corruption and money laundering).
In 2017, the urban plan Tirana 2030 was approved – 2030 being the year in which Albania aims to become an EU associate state. Designed by Stefano Boeri Architetti, the plan introduces the thought of vertical improvement to free up space for squares and green areas, and to ease traffic congestion through the improvement of public transport and cycle paths.
Unfortunately, the reality is very different from the architectural renderings.
Italian urban plans for Tirana
“The Tirana 2030 plan has opened the city up to construction and densification,” explains architect and investigator Dorina Pllumbi, who has reflected on the issue at length. “Before, buildings could be up to 7 floors, 9 maximum.” Today, the tallest completed building is the 40-storey advanced Downtown One, but this is set to be dwarfed by approved projects exceeding 70 storeys.
“There was no attention to historical buildings,” continues Pllumbi, “there were beautiful villas that were demolished without scruples. The city, changing at a very fast pace, and people have problems recognizing their own neighbourhood, and neighbours.”
While gentrification is simply a now acquainted phenomenon in many European cities, in Tirana it has a different flavour. We are utilized to seeing cities lose part of their population to make area for another – a different social class or possibly even tourists – but the case of Tirana is different. Who is the city being built for?
“My impression is that Rama wants to change the face of this city, to ‘leave his mark,’” Vukaj told us as he showed us around the city centre. “It’s an ego problem – no genuine urban plan, no respect for aesthetic balance, destroying our collective memory. All this while facilitating money laundering.”
Allegations of money laundering emerged from all the conversations we had in Tirana, but no 1 provided concrete evidence.
Last September, a study by the Friedrich Ebert Foundation was published with the emblematic title “Money laundering in the real property sector : its impact on socio-economic life in Albania.” The report, based on data that cannot always be verified, estimates that corruption and taxation evasion in Albania generated “at least 8.168 billion euros in revenues for the period 2015–2024”, mainly in the construction sector. “In fresh years, Albania’s real property marketplace has produced a situation that cannot be explained by the average mechanisms of a free and competitive market,” the study states.
“Real property prices have increased at a faster rate over the past 10 years, peculiarly between 2021 and 2024. Theoretically and logically, specified a price increase, while the supply in the marketplace increases, occurs while the marketplace is influenced by factors so powerful that they distort the typical relationships between demand, supply and price.”
In many cases, old houses are surrounded by fresh buildings. Photo: Francesca Barca
Almost precisely a century ago, in 1925, a improvement plan for Tirana city centre was launched, involving Italian architects and urban planners sent by the fascist regime. The names of Armando Brasini and Gherardo Bosio are well known in this city. Walking the streets, it is no challenge to recognise the architectural kind of that period, in the Prime Minister’s office, parent Teresa Square (formerly Vittorio Emanuele III Square) or the Polytechnic University (formerly Casa del Fascio). All were designed by Bosio, and are located just a fewer steps from each other.
Today, past is repeating itself, and not without a certain irony, as Vukaj points out. For Dorina Pllumbi, this is simply a form of “sort of colonialism, […] not in the classical sense, of course, but a softer ‘coloniality of power’, that is operating nowadays between countries.” During our conversation, Pllumbi refers to an “internalised inferiority” that Albania has developed towards foreigners, especially “Westerners.”
An example of this phenomenon is the pavilion at the 2025 Venice Biennale. Dedicated to Albanian architecture, it was curated by Swiss investigator Anneke Abhelakh and featured everything but contributions from Albanian architects. The pavilion was titled “Building Architecture Culture”, “As if there is no architecture in Albania, as if there is nothing there, as if it’s all tabula rasa”.
At the end of our walk, Vukaj shows us any renderings from the Bukë dhe Zemër (Bread and Heart) architecture festival to give us an thought of just how unrealistic these real property projects are. The impression is that the city as well as the country itself have become a playground for the creativity (and wallets) of architects and builders.
Prime Minister Edi Rama has stated that the latest wave of architectural development, with the beginning up of the marketplace and the entry of abroad investors and designers, is about “reclaiming individualism” for Albanians. This is rhetoric that Pllumbi firmly rejects:
“In Albania, there is opposition to talking about collectivity and collectivism due to the fact that it’s like, ‘oh, we tried that. It was a disaster. We failed’. And now there’s no another way but just going toward individualism. What I effort to do with my work – and another scholars and activists, including the ATA group, for example – is to challenge this dominant narrative. What our parents experienced was actually state collectivism. The state utilized the ideology of collectivism to impose its power on the population, on the country, and on all aspect of everyday life. But then the communal and more genuine ways of collective self-organisation besides suffered as they were absorbed and captured within this large ideological umbrella of state collectivism. That is why we request to practice these more genuine ways of claiming the city, not as a totalizing force that comes from the top, but as collective acts of the everyday.”
The “muscular” approach to urban improvement imposed by the Socialist organization is changing the face of the city, but it is not solving its deep-rooted problems.
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Pllumbi offers the example of the water collection tanks that are visible on the facades of all the houses, indicating the city’s frequent water shortages. For Pllumbi, this is simply a “permanent protest.” “If a planner truly wants to see what the problems are in the city, it’s so obvious. If you don’t address traffic, if you don’t address amenities, and whatever people request to live in a average city, then you haven’t done much.”
The resources to defy this process are lacking: “Protests have been very uncommon here. due to the fact that this is how we’re taught: don’t go to protests. That’s why we deal with the past.” Armen Sula is an activist with the Tek Bunkeri association, which runs a space in the centre of Tirana where screenings, debates, concerts, and theatre workshops are held, all focused on processing the country’s shared past and reflecting on the past of the dictatorship.
It should besides be noted that protest movements occurred in Albanian universities in 2018–19, and that a crucial mobilisation took place in an effort to save the National Theatre in Tirana, which was demolished in 2020.
The view from the terrace of Tek Bunkeri. Photo: Federico Caruso
The association presently has a lease on a villa surrounded by taller buildings. The activists don’t know how long they will be able to stay. “Our lease expires in 2 years,” says Sula, “and we don’t know if it will be renewed, due to the fact that the owner wants to build something taller. We invested a lot in this place, it was all mud erstwhile we arrived.” The only hope, he tells us with bitter irony, is “that the prime minister goes to prison for at least 5 years, so that construction stops and we can last here.”
Europe in 2030
Against this backdrop, joining the European Union is, for many Albanians, “the only way”, according to anthropologist Nebi Bardhoshi, whom we met in Kamza, a town 7 kilometres from the capital. Of course, Albanians are under no illusion that EU membership is the solution to all problem. “We know the weaknesses of the European Union, we are not naïve,” Bardhoshi continues. “People on the margins never are: they have a position that allows them to observe society differently. At first glance, they are considered inferior, but their position is much more realistic.”
“We want to join the European Union,” echoes Sula. “We’ve been promised that we’ll do it in 2030. But I don’t think it’s possible for us as a society – we’re not ready. Even at the organization level.” Sula sees 2 main obstacles: the unresolved issue of transitional justice, concerning how the socialist government is remembered and addressed; and corruption, which is “utterly massive.”
Dorina Pllumbi shares this view: “EU might be another imposition of power, but it could besides be the another way around. It could be an chance for, let’s say, another level of political engagement. However, in practice, we see that the EU frequently seems to have lost its compass with its own principles, so I don’t know if you can put so much hope in the European Union. If Albania ends up being a colony of these major powers, which rather frequently seems to be the case, as with the construction of the detention centers for immigrants in Gjader, then we’re doomed. But if we, beyond the politicians, pay serious attention to democracy, and our voice and positionality are taken seriously, then I would say it’s an chance for Albania.”
This article is part of the PULSE project, part of a series on cities in Europe in collaboration with Il Sole 24 Ore, Obc Transeuropa, and El Confidencial. We would like to thank Elira Kadriu of Citizen.al for her support in producing this report.
Francesca Barca is simply a journalist, editor and translator with a degree in contemporary past from the University of Bologna. She covers Social issues and inequalities at Voxeurop. She has worked for respective European media, including Courrier International and Cafébabel. She is simply a associate of Nothing2Hide, an NGO specialising in digital security.
Federico Caruso is an Italian journalist. With a background in political communication, he works for OBC Transeuropa and is mainly active in the editorial coordination of collaborative journalism projects, like EDJNet and CIJI.
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